This photo was featured in Hope, Rebellion & Justice, the 2020 debut solo exhibit by artist Tito Ruiz, featuring striking portraits, emotional action shots, and powerful street photography celebrating the intersectional fight for justice in WNY.
Visions of Greater Buffalo is a CEPA fundraiser that invites 50 individuals with unique community perspectives to take up single-use film cameras and share their personal vision of the region. Started in 2005, the resulting collection of Buffalo photography has over 350 images taken by visionaries who are representative of the arts, business, sports, community service, and faith-based organizations of the Queen City.
The cameras are submitted to CEPA Gallery, then developed and reviewed by a panel of professionals. The best photograph from each camera is matted and framed for inclusion in a special exhibit that ends with a silent auction featuring all 50 of the selected works. Proceeds from the auction as well as print sales go to CEPA’s internationally recognized exhibits and community education program.
Prints shown in this collection are a limited selection from years 2005, 2007, 2009, 2011, 2012 & 2013. To view the entire collection, please contact CEPA.
This photo was featured in Hope, Rebellion & Justice, the 2020 debut solo exhibit by artist Tito Ruiz, featuring striking portraits, emotional action shots, and powerful street photography celebrating the intersectional fight for justice in WNY.
CEPA Gallery publication from exhibition Close-Cropped Tales. A series of black-and-white film stills cropped into polygonally shapes and organized by the number of sides given to each image. Photographs are grouped according to number of sides. The cropped images suggest how just a little photographic information can stand for greater meaning, or not.
● Staple bound : 40 pages black & white
● Library of Congress Catalogue Card Number 81-50892
● Product Dimensions : 9 x 7 inches
● Publisher : CEPA Gallery (1981)
● Language : English
This photo by Patricia Layman Bazelon is part of the Steel Series. Bazelon photographed the Bethlehem Steel Plant in Lackawanna, New York from 1988 to 1995 during the plant’s reclamation period. All photographs are pigment-based inkjet prints, and available at approximately 16″ × 20″ and 20″ x 24″ print sizes.
Catalog for Coming Home:Reentry After Incarceration is an effort to humanize criminal justice statistics and portray the challenges of post-incarceration life through word and photograph. Photography by Errol Daniels and Essays by Katherine Russell, people’s stories are personalized as they re-enter society from jail or prison. The stories hope to encourage others in the community to remove barriers that lead to recidivism and shift the tone toward restorative, rehabilitative approaches.
● Soft bound : 100 pages color
● ISBN-13: 978-1-9867-3898-9
● ISBN-10: 1-9867-3898-1
● Product Dimensions : 11 x 8.5 inches
● Publisher : Errol Daniels
● Language : English
A 1-Day Class
Saturday, July 8th
10:30am–1:30pm
Ages 16+
Take your portraiture to the next level!
Learn to combine lighting, expression, posing, and use formal compositional elements to elevate your portraiture and imbue your images with meaning and intention. Students will have the opportunity to practice hands-on technique with a professional model.
By the end of the lab session, you’ll understand a conceptual approach to portraiture and have a repertoire of fun and creative techniques to experiment with.
Class is taught by one of CEPA’s veteran instructors – Peter Meszynski (see more about Peter below). Recommended for advanced students who are already familiar with studio lighting or have taken Piotr’s previous Studio Light Class. Purchase both classes and receive a 15% discount (will be refunded when your card is processed).
CEPA Education Center
Saturday, July 8th
10:30 a.m.–1:30 p.m.
Membership starts as low as $40/year for individuals—and even lower for students at only $25/year!
Learn about CEPA Membership »
Check out the description below to learn more about the teaching artist for this workshop.
This photo by Patricia Layman Bazelon is part of the Steel Series. Bazelon photographed the Bethlehem Steel Plant in Lackawanna, New York from 1988 to 1995 during the plant’s reclamation period. All photographs are pigment-based inkjet prints, and available at approximately 16″ × 20″ and 20″ x 24″ print sizes.
CEPA Gallery’s Black Matters billboard exhibit highlights the realities of systemic and institutionalized racism, focusing the public’s attention not only on the present moment and the issue of police violence, but on the many challenges, contributions and assets of Black people in our communities. The text and image cohesion intends to speak directly to local governments and communities to create dialogue around the “isms” in our society with the hope of inspiring calls to action for lessening communal inequities.
The artwork from each of the twelve billboards are represented in an 11×14 print.
Crocodile Tears features a selection of photographs, taken from Huebler’s Variable Piece no. 70 (in which the artist aimed to “photographically document the existence of everyone alive”), and found knock-offs of works by Van Gogh, Matisse, and Degas, to illustrate a disjointed screenplay involving a number of fictitious characters dealing in high-end art forgery. The cast includes Richard Decker, a “signature artist” cranking out salable objects to pay the mortgage; Arthur Lord, known as “the great corrector” for his ability to flawlessly replicate the works of the old masters without their original “mistakes”; and Alec Gregory, a con-artist who sells knock-offs of famous paintings to unsuspecting collectors. Huebler’s parable is a witty and dark reflection on art-market politics and a compelling exploration of the problematics of authorship and authenticity.
● Staple bound : 44 pages black & white
● ISBN 0-939784-13-0
● Product Dimensions : 11 x 8.5 inches
● Publisher : Albright Knox and CEPA Gallery (1985)
● Language : English
Visions of Greater Buffalo is a CEPA fundraiser that invites 50 individuals with unique community perspectives to take up single-use film cameras and share their personal vision of the region. Started in 2005, the resulting collection of Buffalo photography has over 350 images taken by visionaries who are representative of the arts, business, sports, community service, and faith-based organizations of the Queen City.
The cameras are submitted to CEPA Gallery, then developed and reviewed by a panel of professionals. The best photograph from each camera is matted and framed for inclusion in a special exhibit that ends with a silent auction featuring all 50 of the selected works. Proceeds from the auction as well as print sales go to CEPA’s internationally recognized exhibits and community education program.
Prints shown in this collection are a limited selection from years 2005, 2007, 2009, 2011, 2012 & 2013. To view the entire collection, please contact CEPA.
Visions of Greater Buffalo is a CEPA fundraiser that invites 50 individuals with unique community perspectives to take up single-use film cameras and share their personal vision of the region. Started in 2005, the resulting collection of Buffalo photography has over 350 images taken by visionaries who are representative of the arts, business, sports, community service, and faith-based organizations of the Queen City.
The cameras are submitted to CEPA Gallery, then developed and reviewed by a panel of professionals. The best photograph from each camera is matted and framed for inclusion in a special exhibit that ends with a silent auction featuring all 50 of the selected works. Proceeds from the auction as well as print sales go to CEPA’s internationally recognized exhibits and community education program.
Prints shown in this collection are a limited selection from years 2005, 2007, 2009, 2011, 2012 & 2013. To view the entire collection, please contact CEPA.