Publication includes drawings and color photographs by William Wegman with a focus on women. Includes an introductory statement by the artist.
● Soft bound : 22 pages color
● ISBN 0-939784-10-6
● Product Dimensions : 9 x 7.5 inches
● Publisher : CEPA Gallery
● Language : English
Ascension of Black Stillness, Black Existence and Exploration Through The Disruption of Still Photography
An Exhibition of Black Hope, Alternate Realities, and Parallel Universes Curated by Stacey Robinson
● Perfect bound : 93 pages full color
● ISBN: 978-1-939026-16-3
● Product Dimensions : 8.5 x 11 inches
● Publisher : CEPA Gallery 2021
● Language : English
● ISBN: 978-1-939026-05-7
Borderland features a collection of portrait and landscape photographs by Marshall Scheuttle that come together to tell the story of American culture, highlighting the outsiders and the places they inhabit.
● Soft bound : 26 pages full color
● ISBN 978-0-939784-28-8
● Product Dimensions : 11 x 8 inches
● Publisher : CEPA Gallery (2013)
● Language : English
CEPA Gallery publication from exhibition Close-Cropped Tales. A series of black-and-white film stills cropped into polygonally shapes and organized by the number of sides given to each image. Photographs are grouped according to number of sides. The cropped images suggest how just a little photographic information can stand for greater meaning, or not.
● Staple bound : 40 pages black & white
● Library of Congress Catalogue Card Number 81-50892
● Product Dimensions : 9 x 7 inches
● Publisher : CEPA Gallery (1981)
● Language : English
Catalog for Coming Home:Reentry After Incarceration is an effort to humanize criminal justice statistics and portray the challenges of post-incarceration life through word and photograph. Photography by Errol Daniels and Essays by Katherine Russell, people’s stories are personalized as they re-enter society from jail or prison. The stories hope to encourage others in the community to remove barriers that lead to recidivism and shift the tone toward restorative, rehabilitative approaches.
● Soft bound : 100 pages color
● ISBN-13: 978-1-9867-3898-9
● ISBN-10: 1-9867-3898-1
● Product Dimensions : 11 x 8.5 inches
● Publisher : Errol Daniels
● Language : English
Crocodile Tears features a selection of photographs, taken from Huebler’s Variable Piece no. 70 (in which the artist aimed to “photographically document the existence of everyone alive”), and found knock-offs of works by Van Gogh, Matisse, and Degas, to illustrate a disjointed screenplay involving a number of fictitious characters dealing in high-end art forgery. The cast includes Richard Decker, a “signature artist” cranking out salable objects to pay the mortgage; Arthur Lord, known as “the great corrector” for his ability to flawlessly replicate the works of the old masters without their original “mistakes”; and Alec Gregory, a con-artist who sells knock-offs of famous paintings to unsuspecting collectors. Huebler’s parable is a witty and dark reflection on art-market politics and a compelling exploration of the problematics of authorship and authenticity.
● Staple bound : 44 pages black & white
● ISBN 0-939784-13-0
● Product Dimensions : 11 x 8.5 inches
● Publisher : Albright Knox and CEPA Gallery (1985)
● Language : English
David Levinthal: Heroes, Sluts and Servants
Mis/Representation in Material Culture
● 40 pages full color
● ISBN: 978-0-939784-36-3
● Product Dimensions : 5.5 x 8.5 inches
● Publisher : CEPA Gallery 2022
● Language : English
Exhibition catalog from Esther Bubley on Assignment, Photographs Since 1939, organized by the University of Buffalo Art Department and CEPA Gallery. The exhibit covered fifty years of her work as a photojournalist and documentary photographer.
● Staple bound : 16 pages black & white
● Product Dimensions : 10 x 8 inches
● Publisher : Art Department, University at Buffalo and CEPA Gallery (1989)
● Language : English
Exhibition publication from Fast, Cheap, & Easy: The Copy Art Revolution (2018) is an international survey featuring over 100 artists from the 1960s to the present who have explored the neglected role of the copy machine as a quick and innovative method to express ideas and cheaply produce and circulate art.
It includes individual project descriptions, artists’ statements and bios, plus hundreds of exhibition and historical images, artists’ book examples, and complete checklist. Additionally, there are essays by Robert Hirsch, Beate Reese, Kate Eichorn, and Herbert Lachmayer.
● Spiral bound : 80 pages full color
● ISBN 978-0-939784-32-5
● Product Dimensions : 11 x 8.5 inches
● Publisher : CEPA Gallery (2018)
● Language : English
Felicific Calculus is a catalog that was produced by CEPA Gallery & Booksmart Studio in conjunction with Eric T. Kunsman’s solo exhibition.
Introduction essay by the venerable Alison Nordstrom titled “Useful Photographs.”
Foreword by Benjamin Hickey, Curator of Exhibition, Hilliard Art Museum titled “Felicific Calculus: A Tale of Two Cities.”
● Perfect bound : 222 pages full color
● ISBN: 978-1-939026-16-3
● Product Dimensions : 11.5 x 13 inches
● Publisher : CEPA Gallery & Booksmart Studio (December 2021)
● Language : English
James Welling’s first artist’s book “Gelatin Photographs 1-12” consists of a dozen sensuous cover to cover, high contrast images of dark Jell-O photographed against a light background
● Staple bound : 6 pages black & white
● ISBN 0-939784-12-2
● Product Dimensions : 10 x 7.75 inches
● Publisher : CEPA Gallery (1984)
● Language : English
Laurie Simmons was one of the first artists to create self-composed picture scenarios of great atmospheric and psychological density starting in the mid-seventies. This book features the American-born artist’s early works from the years between 1976 and 1979.
● Soft bound : 16 pages black & white
● ISBN 0-939784-046-8
● Product Dimensions : 8 x 5.5 inches
● Publisher : CEPA Gallery (1983)
● Language : English