Shop Archive
Place Relations Catalog (2019)
$30.00
This 112-page, full-color, 8×10 CEPA Gallery exhibition catalog from Place Relations: Identity in Contemporary Israeli Avant-Garde Art (2019) features Israeli artists whose work and performances were exhibited over the course of a year. It provides a unique array of individual perspectives shaped by varied experiences with the goal being to elaborate the historical, political and cultural atmosphere of the Israeli diaspora.
Artists include R’m Aharoni, Yael Bartana, Tamy Ben-Tor, Miki Carmi, Keren Cytter, Dor Guez, Adi Nes, and Barak Zemer.
● Soft bound : 112 pages full color
● ISBN 978-0-939784-33-2
● Product Dimensions : 10 x 8 inches
● Publisher : CEPA Gallery (2019)
● Language : English
97 in stock
Additional Information
| Weight | 1 lbs |
|---|---|
| Dimensions | 12 × 10 × 1 in |
Related products
-
Borderland – Marshall Scheuttle (2013)
$25.00Borderland features a collection of portrait and landscape photographs by Marshall Scheuttle that come together to tell the story of American culture, highlighting the outsiders and the places they inhabit.
● Soft bound : 26 pages full color
● ISBN 978-0-939784-28-8
● Product Dimensions : 11 x 8 inches
● Publisher : CEPA Gallery (2013)
● Language : English -
$19.84 – William Wegman (1984)
$75.00Publication includes drawings and color photographs by William Wegman with a focus on women. Includes an introductory statement by the artist.
● Soft bound : 22 pages color
● ISBN 0-939784-10-6
● Product Dimensions : 9 x 7.5 inches
● Publisher : CEPA Gallery
● Language : English -
Ruins in Reverse: Time and Progress in Contemporary Art (1999)
$15.00This is special issue of the CEPA Journal that documents the exhibition Ruins in Reverse: Time and Progress in Contemporary Art (September 18, 1998-March 19, 1999). The title for this exhibition is taken from Robert Smithson’s 1967 work, A Tour of the Monuments of Passaic, New Jersey, in which he describes the suburbs of Passaic as “ruins in reverse. . . This is the opposite of the ‘romantic ruin’ because the buildings don’t fall into ruin after they are built but rather rise into ruin before they are built.” The experience of the ruin suggests a particular mental orientation, a sense of lost promise combined, perhaps, with a desire to redeem that promise in the future. It is a contemplative mode of thought that might lead to nostalgia and resignation or to renewed activism as the past is overlaid with, and tested against, the present. This exhibition begins then with the question of allegory in art, and with allegory as a prototypically aesthetic form of signification.
● Staple bound : 40 pages black & white
● Product Dimensions : 11 x 8 inches
● Language : English