Shop Archive

Darkroom Playground

$85.00$100.00

A 2-Day Workshop
Thursday, May 29th and June 5th, 2025
6:00 – 8:30 PM
16+

A 2-Day Photography Class for Ages 16+

This advanced darkroom class is for the truly enthusiastic darkroom lover who finds passion in the dark and hates to see the lights go on. Designed for those who know black and white darkroom printing basics but want to take their knowledge further. This class will include tools and techniques for making good prints better using contrast control and dodging and burning as well as playful techniques such as selective development, solarizing, paper negatives, and much more.

Supplies Included. Students only need to bring a set of negatives to each class.

Workshop Location

CEPA Gallery Learning Center

Limited Availability

This workshop is limited to 8 participants.

Date & Time

Thursday, May 29th and June 5th, 2025
6:00 – 8:30 PM

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Additional Information
Register for the Class:

Individual: $100.00, CEPA Member: $85.00

Meet the Teaching Artist

Meet the Teaching Artist

Kim Sholly - Teaching Artist - CEPA Gallery - Buffalo NY

Kim has been teaching and sharing her love of the black and white darkroom since 1990, first in Madison, WI as a mini-course instructor at the University of Wisconsin at Madison and then at the Center for Photography at Madison (which she co-founded).

She moved to Greenville, SC in 2002 and founded, directed and taught at the WestEnd Darkoom Photo School and worked full-time at the Metropolitan Arts Council, a non-profit arts organization advocating and supporting the thriving arts community in Greenville. She has exhibited her work widely around the Midwest and in Upstate South Carolina. She moved to Buffalo in late summer 2017 and looks forward to being part of CEPA and Buffalo’s vibrant photography community. And until she gets a darkroom set up in her Elmwood Village home, CEPA’s darkroom will become her beloved creative space.

She shoots primarily with homemade pinhole and 1960’s plastic toy cameras and says that the fun of shooting low-tech is the unpredictability of the resulting images, images that cannot be choreographed or reproduced and are only discovered later in the darkroom.