This photo was featured in Hope, Rebellion & Justice, the 2020 debut solo exhibit by artist Tito Ruiz, featuring striking portraits, emotional action shots, and powerful street photography celebrating the intersectional fight for justice in WNY.
This photo was featured in Hope, Rebellion & Justice, the 2020 debut solo exhibit by artist Tito Ruiz, featuring striking portraits, emotional action shots, and powerful street photography celebrating the intersectional fight for justice in WNY.
Roger Camp
Fallen Angels: The Butterfly Portfolio
1999
6.5 x 9.5 in.
cibachrome print
Edition 1 of 25
CEPA Gallery’s Black Matters billboard exhibit highlights the realities of systemic and institutionalized racism, focusing the public’s attention not only on the present moment and the issue of police violence, but on the many challenges, contributions and assets of Black people in our communities. The text and image cohesion intends to speak directly to local governments and communities to create dialogue around the “isms” in our society with the hope of inspiring calls to action for lessening communal inequities.
The artwork from each of the twelve billboards are represented in an 11×14 print.
This photo was featured in Hope, Rebellion & Justice, the 2020 debut solo exhibit by artist Tito Ruiz, featuring striking portraits, emotional action shots, and powerful street photography celebrating the intersectional fight for justice in WNY.
John Pfahl
Fort Niagara from Niagara-on-the-Lake 4/15
1985
33 x 27 in.
chromogenic print
This photo was featured in Hope, Rebellion & Justice, the 2020 debut solo exhibit by artist Tito Ruiz, featuring striking portraits, emotional action shots, and powerful street photography celebrating the intersectional fight for justice in WNY.
CEPA Gallery’s Black Matters billboard exhibit highlights the realities of systemic and institutionalized racism, focusing the public’s attention not only on the present moment and the issue of police violence, but on the many challenges, contributions and assets of Black people in our communities. The text and image cohesion intends to speak directly to local governments and communities to create dialogue around the “isms” in our society with the hope of inspiring calls to action for lessening communal inequities.
The artwork from each of the twelve billboards are represented in an 11×14 print.
CEPA Gallery’s Black Matters billboard exhibit highlights the realities of systemic and institutionalized racism, focusing the public’s attention not only on the present moment and the issue of police violence, but on the many challenges, contributions and assets of Black people in our communities. The text and image cohesion intends to speak directly to local governments and communities to create dialogue around the “isms” in our society with the hope of inspiring calls to action for lessening communal inequities.
The artwork from each of the twelve billboards are represented in an 11×14 print.
Visions of Greater Buffalo is a CEPA fundraiser that invites 50 individuals with unique community perspectives to take up single-use film cameras and share their personal vision of the region. Started in 2005, the resulting collection of Buffalo photography has over 350 images taken by visionaries who are representative of the arts, business, sports, community service, and faith-based organizations of the Queen City.
The cameras are submitted to CEPA Gallery, then developed and reviewed by a panel of professionals. The best photograph from each camera is matted and framed for inclusion in a special exhibit that ends with a silent auction featuring all 50 of the selected works. Proceeds from the auction as well as print sales go to CEPA’s internationally recognized exhibits and community education program.
Prints shown in this collection are a limited selection from years 2005, 2007, 2009, 2011, 2012 & 2013. To view the entire collection, please contact CEPA.
Visions of Greater Buffalo is a CEPA fundraiser that invites 50 individuals with unique community perspectives to take up single-use film cameras and share their personal vision of the region. Started in 2005, the resulting collection of Buffalo photography has over 350 images taken by visionaries who are representative of the arts, business, sports, community service, and faith-based organizations of the Queen City.
The cameras are submitted to CEPA Gallery, then developed and reviewed by a panel of professionals. The best photograph from each camera is matted and framed for inclusion in a special exhibit that ends with a silent auction featuring all 50 of the selected works. Proceeds from the auction as well as print sales go to CEPA’s internationally recognized exhibits and community education program.
Prints shown in this collection are a limited selection from years 2005, 2007, 2009, 2011, 2012 & 2013. To view the entire collection, please contact CEPA.
This photo by Patricia Layman Bazelon is part of the Steel Series. Bazelon photographed the Bethlehem Steel Plant in Lackawanna, New York from 1988 to 1995 during the plant’s reclamation period. All photographs are pigment-based inkjet prints, and available at approximately 16″ × 20″ and 20″ x 24″ print sizes.