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Totems for a Flattened Now, an exhibition of photographs by Bay area-based artist Nando Alvarez-Perez, was chosen by Photo District News, a publication for photo professionals as a feature exhibition in their "Photo of the Day" section. Instagram “is probably my biggest influence, or at least what’s going into my eyes the most on a daily basis,” Nando Alvarez-Perez recently told an interviewer. The effected is visible in his exuberant strain of still life, which uses an everything-all-at-once esthetic to mash together cultural references from art history, pop culture and digital technology. His series “Totems for a Flattened Now,” on view until March 5 at CEPA Gallery in Buffalo, features bits of classical sculpture pictured in the studio or found in incongruous spots, and makes a comparison between the enduring nature of these iconic stones and the digital world’s brief half-life. The photos, Alvarez-Perez writes in a statement, “explore the ways by which images, myths and symbols are recycled, transformed, and re-represented according to our culture’s ever changing needs and desires.” In one photo, Venus on the Half Shell poses in front of a pet store goldfish tank, as if emerging from its waters; in another, a photo of Venus de Milo is set among fake

CEPA Gallery is very pleased to have had its Summer 2015 Hollis Frampton exhibition named as one of the Best Gallery Shows of 2015 by Blouin Artinfo International. The global leader in arts news and commentary has been rolling out year-end lists since mid-December and has selected the Hollis Frampton exhibition as its 5th best exhibition in 2015, saying

1st place photo "Curving Walkway" by Frank Grace THE RICHARDSON CENTER CORPORATION AND CEPA GALLERY ANNOUNCE PHOTOGRAPHY CONTEST WINNERS & EXHIBITION Buffalo, NY—The Richardson Center Corporation and CEPA Gallery are delighted to announce the winners of the inaugural Richardson Olmsted Complex Photography Contest. The images will be presented in the CEPA Gallery exhibition, Interior Views: The Richardson Olmsted Complex, on view from Saturday, November 21, 2015 through Friday, December 17, 2015 at CEPA Gallery at 617 Main Street in the historic Market Arcade Building. The exhibition kicks off with an opening reception on Saturday, November 21, 2015 from 7:00-10:00 p.m. Both the exhibition and the opening reception are free and open to the general public. 40 photographs have been selected for display at CEPA Gallery in the exhibition Interior Views: The Richardson Olmsted Complex. Three winning photographs were chosen: Curving Walkways (First Place, by Frank Grace of Acushnet, MA), Hoping (Second Place, by Maureen Jameson of Amherst, NY), and Fading

CEPA is pleased to share the first of 8 video profiles of our 2015 CSA artists. This video features an interview with artist Anne Muntges for CEPA Gallery's innovative Community Supported Art (CSA) program, which commissioned eight Buffalo, NY-based artists to produce fifty “CSA shares” comprised of eight artworks each. Season One of CEPA's CSA features artists: Joel Brenden, Kyle Butler, Fotini Galanes, Megan Metté, Anne Muntges, Stacey Robinson, Marshall Scheuttle, and virocode – an impressive roster of locally-based, emerging artists, practicing in a variety of mediums, all with a national or international exhibition history. [divider] [button link="/community-supported-art-2015/" target="_self" color="highlight"] Visit CEPA's Community Support Art Main Page[/button] [button link="http://www.annemuntges.com" target="_self" color="highlight"] Visit Anne Muntges' Webpage[/button]

CEPA Gallery is pleased to announce its receipt of a $7,500 grant from the Artis Grant Programs to support CEPA’s forthcoming exhibition, Place Relations: Identity in Contemporary Israeli and Arab Avant-Garde Art. Place Relations: Identity in Contemporary Israeli and Arab Avant-Garde Art is a two-part exhibition — running back to back and spanning our Summer 2016 and Fall 2016 exhibition seasons — of contemporary avant-garde photographic, video, media installation, and sound art featuring work by Israeli and Arab artists. Functioning as an analog to the current political and cultural divide between Israeli and Arab cultures, this curatorial effort seeks to elaborate, broaden, and humanize one of the most geo-politically charged topics facing our time. Some of the most prominent contemporary artists currently practicing — whose practices, age, and experiences vary broadly — have been selected in order to best illustrate the complex range of experiences within each respective community. CEPA Gallery Artistic Director and co-curator of the exhibitions David Mitchell remarked, “It is truly a tremendous honor to have been selected for support by Artis. The topic of Israeli/Arab relations has become so reduced by statistical and political analysis that nearly all semblance of humanity or the complex individual character of the

In conjunction with the their current exhibition at CEPA Gallery, Gregory Jones, founding editor of In the In-Between sat down with artists Gregory Halpern & Ahndraya Parlato to discuss their work. Gregory Jones: East of the Sun, West of the Moon is a collaborative series between the both of you, and the photographs were all made on the Solstices and Equinoxes of 2012 and 2013. Can you talk about how the idea to collaborate came together, and what made each of you want to pursue this project? Ahndraya Parlatto: The initial idea was mine. I was actually trying to think of a way that Gregory could shoot whatever he wanted, wherever he wanted, but still have some sort of loose cohesion. He was quick to point out that the nature of the project was actually well suited to my work, and so we decided to do it together. I think we were both excited to have a break from what we usually do, and to be forced to take ownership of making images that were ours, but also not entirely so. What I mean by ours, but not entirely so, is that it was important to us that we sort

CEPA was very happy to award the third annual Oseroff Memorial Purchase Prize to artist Jeannine Mullan at a ceremony at Roswell Park Cancer Institute on September 17, 2015. The $1,000 purchase prize acquired her piece Our House, which will now become part of Roswell Park’s permanent art collection. [caption id="attachment_9993" align="aligncenter" width="750"] Jeannine Mullan, Our House, 2014, Archival Inkjet Print, 18 x 27 inches[/caption] ABOUT THE OSEROFF MEMORIAL PURCHASE PRIZE The Oseroff Purchase Prize will be awarded each year to one regionally-significant photographer whose artwork is identified as being of exceptionally quality. The Oseroff Memorial Purchase Prize will be in the amount of $1,000. The selected work becomes part of the permanent collection of Roswell Park Cancer Institute and is prominently displayed in a public area of the hospital alongside the work of many of this region’s most notable artists. The prizes are designed to enhance the environment for all members of the Roswell Community. The Oseroff Memorial Purchase Prize is named in memory of Dr. Allan R. Oseroff, Chief of Dermatology at Roswell from 1989 until his death in 2008. Dr. Oseroff, a world-renowned expert in photodynamic therapy, had a life-long interest in photography and the visual arts. He was an empathetic

CEPA was invited by Camp Centerland to do a specialty camp this year. We had eight students in our Nature Photography Camp and were able to wonder the many acres of woods, trails and creeks in Getzville. Students used digital cameras to capture nature while learning the elements of photography. They also took a field trip to CEPA, taking photos with pinhole cameras and creating photograms in the darkroom. [divider] [one-half] Photo By: Alison [/one-half] [one-half last] Photo By: Cae'den [/one-half] [divider] [one-half] Photo By: Carly [/one-half] [one-half last] Photo By: Hope [/one-half] [divider] [one-half] Photo By: Jane [/one-half] [one-half last] Photo By: Ryan [/one-half] [divider] [one-half] Photo By: Sophie [/one-half] [one-half last] Photo By:Z-Nyi [/one-half]

This year we tried something a little different for our young photo enthusiasts. In the Darkroom Camp, students shot black and white film, learned to make traditional darkroom prints. In addition they used pinhole cameras to capture interesting scenes on Main Street. They experimented with double exposures (putting two negatives together), solarization (a process where a partially developed print is exposed to light) and cyanotypes, a process that produces beautiful blue prints on watercolor paper. In the Photoshop Camp students learned various tools for collaging images, creating cover art, and animating objects. They gained a deeper understanding of selections, layers, masks, design elements, scanning, printing, and typography. You can see an exhibit of their work on view in CEPA’s Focus Gallery in the Underground from September 18 to November 14, 2015. Join us for the opening reception on Friday, September 18, from 7:00 to 10:00. [divider] [one-half] [/one-half] [one-half last] [/one-half] [divider] [one-half] [/one-half] [one-half last] [/one-half] [divider] [one-half] [/one-half] [one-half last] [/one-half]

Thrilled to have our Hollis Frampton exhibition featured on Artinfo! Art Critic Mostafa Heddaya visited the exhibition for the opening festivities June 20. We are grateful for the international coverage and for the further evidence that Buffalo's renaissance is being recognized far and wide. [button link="http://www.blouinartinfo.com/news/story/1221125/observing-an-observer-hollis-frampton-gets-a-retrospective-in" target="_self" color="highlight"] Read the Artinfo story here![/button] [divider] From Blouin Artinfo's website: BLOUIN ARTINFO is the preeminent global source for up-to-the-minute news, information, and expert commentary on art, artists, and the business and pleasure of making, buying, and understanding art. On our site you'll find all the vital daily news and developments from galleries, auction houses, and museums – everything that matters. There is no limit to BLOUIN ARTINFO's cultural and aesthetic reach, so along with the Whitney Biennial, we report with wit, style, verve, and authority on the Paris and New York collections, the Cannes and Venice film festivals, the Oscars, Tonys, Grammys, and more. READ MORE [divider] Mostafa Heddaya is a writer and editor in New York focused on politics and the arts. He is currently senior writer at Artinfo, and has contributed reporting and criticism to various publications in print and online, including Art & Auction, Modern Painters, The New York Observer, Paris Review Daily, Syria Deeply, and Hyperallergic, where